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2003
Caliifornia State University, University of Wisconsin, Soka University Japan
www.csudh.edu
HELNWEIN'S OFFICIAL SITE - BE SURE TO READ THE TEXTS, ESPECIALLY THAT OF KLAUS HONNEF.
Artists You Should Know
Dear Habermas - A Justice Site
Welcome to this forum for academic discourse. The Dear Habermas community provides sociological and philosophical discussions of peace and justice, the privileging of subjectivity, forgiveness in the interest of good faith public discourse, intertextuality and our role in the creation of texts, and narrative. We need the forums. We need to write for an audience, for in writing and publishing we clarify the intertextual struggles to make our voices heard above the orderly mask of the "administered" academy. The site serves as a journal on postmodern and critical thought, with special focus on Habermas, defender of whatever can be rescued from the broken illusions of the Enlightenment. Perspectives include race, class, gender, and both postmodern and critical theory analyses of institutional and interpersonal relationships. |
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Klaus Honnef, THE SUBVERSIVE POWER OF ART
1997
Helnwein Monograph, The State Russian Museum, St. Petersburg Klaus Honnef Curator for Contemporary Art at Rheinisches Landesmuseum, Bonn Helnwein - A Concept Artist before the Turn of the Millennium. Is it sheer coincidence that Gottfried Helnwein, the Austrian artist, created a portrait of both the German and the American? Coincidence, that he captured Warhol as a disturbing spectre on photograph, but painted Beuys? And that he then photographed the painted portrait of Beuys in the hands of Arno Breker, Adolf Hitler's favourite sculptor? There are weighty reasons for considering Helnwein the legitimate heir to Beuys and Warhol. |
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Klaus Honnef, DAS VERSPRECHEN DER FOTOGRAFIE
1998
Prestel, München, New York Die Sammlung der DG Bank Klaus Honnef Kurator für Fotografie, Rheinisches Landesmuseum, Bonn Gottfried Helnwein Helnweins künstlerische Praxis beruht auf der Erkenntnis der grundsätzlich unterschiedlichen Seinsformen von Fotografie und Malerei. Einerseits schöpft er als einer der konsequentesten Multimedia-Künstler überhaupt die spezifischen Möglichkeiten der jeweils verwendeten Medien bis zu den Grenzen ihrer Horizonte aus -- neben Fotografie und Malerei die Zeichnung und die Performance -, spiegelt sie andererseits, aber auch gewissermassen ineinander, so dass sie sich gegenseitig erhellen und ihre Wirkung steigern. |
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| 2003 | Caliifornia State University, University of Wisconsin, Soka University Japan | ||
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