The exhibition includes works by: Basil Blackshaw, Dorothy Cross, William Crozier, Mary FitzGerald, Martin Gale, Gottfried Helnwein, Elizabeth Magill, Janet Mullarney, Paul Nugent, Hughie O’Donoghue, Linda Quinlan.

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Mit der Ausstellung «Nach 1970 - Österreichische Kunst aus der Albertina» setzt die Albertina eine Reihe fort, die sie im Vorjahr mit «Kunst nach 1970» begonnen hat. Diesmal liegt das besondere Augenmerk auf Österreich. Gezeigt werden rund 220 Werke, die einen weiteren Einblick in die insgesamt über 20'000 Arbeiten umfassende Sammlung an Gegenwartskunst der Albertina geben.
Mit dieser Präsentation werden auch die neu errichteten Ausstellungsräume der Albertina im zweiten Obergeschoss eröffnet. Erstmals werden dabei zum Großteil jüngere Sammlungszuwächse der Öffentlichkeit vorgestellt. In der um 2'000 m² erweiterten Ausstellungsfläche werden Werke von über 33 Künstlerinnen und ...

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Artists are the visual, verbal, and audio guardians of our collective consciousness. For example, few can remember the politics or history of 18th century Europe, but the music of Mozart and the paintings of Watteau continue to be a source of inspiration. We might not always like the message, but it is artists that distil the essence of an era. They serve as thoughtful messengers to a sometimes unperceptive present but an often receptive future.

— Robert Flynn Johnson
Gottfried Helnwein Catalogue for Fine Arts Museums of San Francisco ...

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Mit Werken von Helnwein, Nitsch, Kubin, Deutschbauer&Spring, Moises, Hauenschild&Ritter und Anzinger. ...

Collectors contemporary presents its most evocative works to date ...

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İstanbul Modern, Orhan Cem Çetin ve Murat Germen'in yönettiği, ayda bir kez gerçekleştirilen olan Çağdaş Fotoğraf Serileri’ne devam ediyor. İzleyicilerden aktif katılım beklenen bir tartışma ve paylaşma platformu olan Çağdaş Fotoğraf Serileri’nin 19 Temmuz tarihinde gerçekleştirilecek buluşmasında tartışma konusu, Avusturyalı çağdaş sanatçı Gottfried Helnwein olacak. ...

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Guided tour with commentary for the public - Thursday 12 June 2008, 4 pm, Masaryk´s office
Exhibition tour with commentary by Gottfried Helnwein ...

The exhibition Angels Sleeping is a thematic cross-section, predominantly of the painting work of the Austrian artist Gottfried Helnwein. The five sections of the exhibition present the fundamental circuits of Helnwein’s work. The introduction comprises heads – faces, including the artist’s iconic self-portrait, painfully acute metaphors of the limits on freedom of expression in Austria in the 1970s and 80s. The artist’s merciless approach to the residues of the Nazi past of his country is a further theme, developed in monochrome, hyperrealistic painting. The central and still extremely relevant theme of Helnwein’s work however is das malträtierte Kind, the child exposed to suffering. The author engages with this theme in various positions from his early works from the 1970s up to the present day. His collection of works on this theme is given the largest space. Violence committed against children, in contrast with their passive exposure, distressed astonishment and impossibility of defending themselves against the world of adults is partially shifted into a further position, ironically entitled Art in Amerika. This presents the relationships of the white, frequently uniformed “majority” to other ethnic groups and minorities, particularly in the United States, sharpened by the photographic precision of the images. ...

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Various themes and concerns are explored by the artists including gender, social, and ethnic identity perception of the self (Su-en Wong); distortions of scale (Eisenman and Philips); use of cartoon or highly stylized imagery (Wesley, Ali, Fujita, Ofili); utilizing the superhero image (Warhol and Ramos); revisiting the Surreal figure (Tyson, Dingle, Quinn, Gormley); composite images of fictional characters (Kauper, Yuskavage, Currin, Lijun, Schütte); emotionally charged faces and forms (Flannigan, Gottfried Helnwein); a twisted notion of reality that reflects a dark world view (McLane, Middlebrook); images of the human form moving through time and space (Herring, Nauman); and the spirit of Neo-expressionism (Clemente, Brown). ...

Helnwein was deeply influenced by the Holocaust, as well as by popular cultural references like comics and rock music. His imagery is unsettling, dark, and deeply compelling, carrying powerful messages of political disturbance and social unease. ...

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Gottfried Helnwein's classic yet unnerving images transform sentimental representations of childhood into portraits of individual subjects frozen at the moment of suffering. His photo-paintings pirouette on the fine line between chocolate box pictures/excessive sentimentality and the cost to children of being treated as commodities, of suffering emotional or physical pain at a grown-up's hands.
High pictorial and technical values create compositions that recall contemporary cinema and seventeenth-century painting, expanding the treatment of time into epic. This apparent grandiosity plays against the immediacy of each suffering subject, underlining the different experience of time in childhood. Small hurts can devastate when you're a child. Big hurts stay with you for years, as survivors of Hitler's Anschluss testify.
Now, in the age of virtual use and abuse of children, Helnwein's insistence on valuing the humanity and charm of the littlest, the least powerful, offers a counterpoint to claims that suffering counts most when you're grown-up. It opens his practice into a series of pictorial mise-en-scènes, as did Rembrandt's tableaux in The Blinding of Samson (1636) or The Night Watch (1642). ...