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09. Май 1992
Basler Magazin
Christian Scholz
Kunst im 20. Jahrhundert
Nach 1945 trumpft die Kunst umfänglich erst wieder mit der 68er Bewegung schockierend auf. Etwa in der Pop-Art. Etwa mit den Bildtafeln eines Roy Lichtensteins. Seine Arbeiten, wie auch die anderer Pop-Artisten, tendieren indes zu einer Ästhetisierung des Schreckens. Zitatförmig nimmt Lichtenstein etwa Comic-Motive vom Krieg auf. Doch die Darstellung oszilliert zwischen Wohlgefallen an der Szenerie und Kritik an der Szenerie. Ähnlich ambivalent erscheinen die zahlreichen Drucke von Andy Warhol zum Thema "Kennedy-Mord".
Der wirkliche Schrei, Signum einer Vorkriegsepoche, taucht nicht mehr auf. Ausnahme von der Regel sind die Werke von Gottfried Helnwein. Sie zielen nochmals auf die Scham- und Peinlichkeitsschwelle. Oder sie machen aus dem täglichen Schrecken im Fernsehen ein formatfüllendes Standbild, ("Das Wunder I", 1980, "Das Lied I", 1981). ... 
Otto Dix, Pablo Picasso, Gottfried Helnwein, Roy Lichtenstein, Salvador Dali
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07. Май 1992
The Hollywood Reporter
Kirk Honeycutt
The last years of Marlene Dietrich's life "were very lonely and secluded in Paris," said German painter and photographer Gottfried Helnwein, who collaborated with the legendary actress on a book published last year.
...
Gottfried Helnwein, Marlene Dietrich
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1992
Cork
Ireland
Helnwein organizes the first Carl Barks Museum retrospective
Helnwein briefes Roy Disney on the preparation of the Carl Barks museum retrospective and the publication of the book "Wer ist Carl Barks?" (Who is Carl Barks?), and discusses the influence of Walt Disney's aesthetics on the culture of the 20th century.
...
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1992
Leopold Hoesch Museum, Düren
Germany
Helnwein, “White Christmas”
Installation ...
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1992
Benedikt Taschen
Cologne
Andreas Mäckler.
text by Andreas Mäckler.
...
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1992
Edition Stemmle
Schaffhausen
hardcover
text by William S. Burroughs, Heiner Müller and Reinhold Mißelbeck. ...
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1992
The Schoemer Collection at the Foundation Fiecht, Austria
Benediktinerabtei, St. Georgenberg
group show
...
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1992
Publishing House C.H. Beck, München
Interview with Gottfried Helnwein
Andreas Maeckler
Gottfried Helnwein, "PAINTINGS SHOULD BE LIKE ROCK MUSIC"
The painter of stark, often provocative pictures was interviewed by Andreas Maeckler.
The result is exciting to read from beginning to end. Helnwein expresses himself in an outspoken and direct manner, without letting himself be drawn into profound theories. It is interesting to note that he confesses not to be able to say why he paints a picture. "I have never met an artist who thinks about this while he is working. And whenever he does comment about this, he must be lying." (Münchner Merkur, June 4. 1992) ...
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1992
Leo Castelli Gallery
New York
...
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1992
William S. Burroughs
poet
Helnwein, Faces
Edition Stemmle It is the function of the artist to evoke the experience of surprised recognition:
to show the viewer what he knows but does not know that he knows. Helnwein is a master of surprised recognition. ...
Gottfried Helnwein, HELNWEIN FACES
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